(All photos of Arpin courtesy of the Lester Public Library of Arpin.)
(All photos of Arpin courtesy of the Lester Public Library of Arpin.)
Gittel is set in the fictional town of Mill Creek, Wisconsin, but the surrounding towns and many of the landmarks mentioned in the book are real places. Mill Creek is based on the town of Arpin, the site of the Jewish agricultural colony where my great grandfather Alvin Garber lived for five years.
To learn more about the Jewish colony in Arpin, check out the video below made by Jewish Museum Milwaukee.
All of the townspeople and most of the events that take place in Mill Creek are fictional, but Gittel and some members of the Borenstein family are loosely based on members of my own family, including—and especially—my mother, Gloria, whose name was Gittel when she came to the United States from Romania at age two.
Fun fact: my grandmother changed my mom’s name to Gloria, after her favorite American movie star, Gloria Swanson.
My mother, Gloria (Bocaner) Schneider is thirteen in this photo, the same age as the title character in my novel.
Here she is in her twenties.
What about the rest of Gittel’s family?
Zayde was inspired by my great grandfather, Alvin (Itzig) Garber
Bubbe was inspired by my great grandmother, Fannie (Frima) Garber
Mama and Papa were inspired by my grandparents, Bory (Boris) and Jennie (Jenya) Bocaner
In 1968 my then 19-year-old brother recorded a short oral history of Alvin Garber (1879-1972), our great grandfather. In the first clip from that interview my brother asks him to sing something and Alvin launches into an old Russian folk song! In the second Alvin talks about his early experiences in America. He was 33 when he came to the US from Ukraine and retained a thick accent. In the old country, Alvin served as a cantor in synagogues in Odessa and Kishinev. When he came to America his first job was at a box factory in New Jersey. In Wisconsin he was a peddler, a gunnysack salesman, and a dairy farmer, and eventually a cantor again. He served congregations in Stevens Point, Wisconsin, and later, in San Diego, California, until his retirement. When he passed away he was buried in the beautiful tallit (prayer shawl) he’d been given by a member of the San Diego congregation.
(Pogrom photos—public domain.)
The Easter progrom in Kishinev was the first to have been documented by the media. Newspapers published eyewitness accounts and photographs of the injured and the dead, sparking outrage around the world. More than 59 Jewish women, men, and children lost their lives in the pogrom.
The Chautauqua movement
The big tent gatherings of the Chautaqua movement began in the early 1900s and flourished well into the 1920s. The multi-day gatherings included a wide range of musical and theatrical performances and lectures by well-known citizens of the day, including social reformer Jane Addams and Wisconsin Senator Fighting Bob La Follette as depicted in Gittel.
Performers of the Redpath Chautauqua
Photos courtesy of the Redpath Chautauqua Collection, University of Iowa Libraries, Iowa City, Iowa.
Chautauqua cast and crew traveled by train.
Chautauqua was for the whole family. Dancer Mabel Rilling, who was in charge of children’s activities for Redpath, was also director of women’s physical education at University of Denver from 1909 to 1964.
Who were Jane Addams and “Fighting Bob” La Follette?
Photos courtesy of Library of Congress Prints and Photographs Division Washington, D.C.
A few of Gittel’s favorite things
Magazines
Before radio and television, families got their news from townsfolk and travelers and, of course, newspapers and magazines. Here are a few that Gittel’s family enjoy in the story.
Ladies Home Journal, like this 1910 issue, would have been a great source of fashion and home decorating ideas for Mama, along with tips on needlework, cooking, and child-rearing, plus plenty of advertisements to feed Mama’s dream of an eau-de-nil gown and shoes with cuban heels.
The color swatch below is the shade of green known as eau de nil (water of the Nile) popular in the late 19th and early 20th century when people were fascinated with all-things Egypt. Clothes, wallpaper, dishes, jewelry, drapes—everything looked better in eau de nil.